Sunday, February 28, 2016

Apple Cider Vinegar {ACV} for Your Dog

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Apple Cider Vinegar {ACV} for Your Dog
A great easy, inexpensive health tip for your dog. You dog may live longer with better health, less fleas and less dog skin itching.

The post Apple Cider Vinegar {ACV} for Your Dog appeared first on Buy Cheap Comfortis For Dogs Online | $56.95.

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Hollywood's El Capitan Theatre gets ready to celebrate its 90th anniversary

Tonight, all eyes are on the Dolby Theatre and the 88th Academy Awards.

But tomorrow morning -- after that 500 foot-long red carpet (which gets rolled out along Hollywood Boulevard every year so that the stars then have something grand to stand upon) has been packed away -- where can one then go to experience some of the glitz & glamour of today's Tinseltown?

Well, some people might stroll up the block to the TCL Chinese Theatre. This cinematic temple originally opened back in May of 1927 and is famous for its Forecourt of the Stars. Which is where you'll find the hand & footprints some of your favorite stars immortalized in cement.

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But me personally, I prefer the El Capitan Theatre, the movie palace that actually predates the Chinese Theatre which is located right across the street from the Dolby Theatre & the Hollywood and Highland Center.

Mind you, when the El Cap first opened its doors back in May of 1926, it wasn't a movie theatre. But --- rather -- "Hollywood's First Home of Spoken Drama." During the 15 years that this 1,550 seat venue operated as a legitimate theatre, over 120 live plays were presented here. And among the cinematic greats who trod its boards were Clark Gable, Mary Pickford, Buster Keaton and Will Rogers.

It wasn't 'til May of 1941 that the El Capitan Theatre finally became a motion picture theatre. But given that the very first film to be screened here was Citizen Kane (More to the point, given that Orson Welles was forced to rent this stage venue for the West Coast premiere of his magnum opus because theater owners wouldn't screen Kane out of fear of reprisals from William Randolph Hearst), some serious Hollywood history has been made inside of this six story-tall building.

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Right through the 1950s, Hollywood Boulevard remained the place to go if you wanted to see a first fun film and then enjoy a fine meal. Which is why the El Capitan and Grauman's Chinese (not to mention their sister theatre, Grauman's Egyptian) continued to do great business. As did all of the elegant eateries in the immediate vicinity. Fabled restaurants like the Musso & Frank Grill, the Pig 'N Whistle and the Brown Derby.

But with the rise of the suburbs and the decentralization of Los Angeles (Not to mention the construction of several modern-era multiplexes out in Burbank & Westwood), Hollywood Boulevard's movie palaces gradually fell from favor as the 1960s gave way to the 1970s.

As for the El Capitan, it changed hands a number of times over this same period. And -- for a time -- it seemed destined to go the route of the Warner Hollywood Theatre. That Tinseltown institution (which opened its door in April of 1928 and was one of the very first venues in the United States that was equipped to show talking pictures) stopped screening movies in the early 1990s and eventually became home to the Ecclesia Hollywood Church.

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But then Disney took a shine to the El Cap. They saw a lot of potential in this faded beauty. Which is why -- in 1989 -- the Mouse partnered with Pacific Theatres to do a floor-to-ceiling restoration of this Hollywood Boulevard institution. Pouring $14 million in the project, Disney's reconstruction team even went so far as take paint scrapings from the theaters walls and look at them under microscopes so that they could then match the El Capitan's original paint scheme.

It took over two years for this museum-quality restoration to finally be completed. But when the El Capitan finally re-opened in June of 1991 (Here's a fun bit of trivia: The very first film to be shown in this newly renovated movie palace was Disney's The Rocketeer. Which -- given that this Joe Johnston action-adventure was set in & around Hollywood of the 1940s -- was very appropriate), movie buffs were dazzled. Not just by all of the attention that had been paid to the building's Spanish Colonial exterior and its East Indian interior, but also by the fact that the El Capitan Theatre was now home to a 1920s-era "Mighty Wurlitzer" organ. Which rose from below the stage before each screening and then played Disney songs.

And for nearly 25 years now, the El Capitan has been dazzling Hollywood visitors and film fans alike. Mind you, it's sometimes something of a challenge to be an iconic movie palace which recalls a bygone era and -- at the same time -- be the sort of first-run theater that (thanks to its cutting edge projection & sound equipment) people prefer to see new releases at. But James Wood, the industry vet who's in charge of operations & stage productions at this Tinseltown institution, says that his team is more than up to that task.

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"One thing's for sure here at the El Capitan: The people who work here love a challenge. Whether it's the world premieres that we regularly hold here for Walt Disney Pictures or the various seasonal events that we also hold at this theatre, we pride ourselves on being able to deliver a top quality experience to each & every movie goer," Wood enthused.

And some of those seasonal events really have to be seen to be believed. Take -- for example -- what happened at the El Capitan earlier this month. Which was when James and his team transformed the lower lounge area at this theater into a romantic Italian eatery.

"This is actually something that we've been doing for about four years now," James explained. "We screen Lady and the Tramp over the Valentine's Day Weekend. But before each of these screenings, we offer our patrons the chance to have a candlelit dinner. One that's catered by Miceli's so that these cinema fans -- if they chose -- can then recreate that special moment from this Disney animated classic and share spaghetti with their loved one."

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And speaking of animated classics, out ahead of the March 4th release of Zootopia, the El Capitan recently held a week-long retrospective of Walt Disney Animation Studios' most recent releases.

"And what was really great about this program was that -- not only were animation fans getting the chance to see some of their favorite Disney films like Frozen & Tangled & Wreck-It Ralph back up on the big screen -- but we also had the voice talent & the directors of those movies come by the theater and introduce each of these films. We even had meet-n-greet opportunities prior to these screenings where the first 75 people in line then got the chance to interact with the talent," Wood stated.

And it's not just today's film fans that James and his team tries to cater to. For all those Hollywood history buffs out there, the El Capitan offers a docent-led, behind-the-scene tour where guests can then visit backstage areas like the Sherman Brothers Star Dressing Room. And for the next generation of movie-goers, this cinematic temple also offers its Tiny Tot Tuesday program. Where -- for the very first showing on every Tuesday -- the El Cap's lights are dimmed and its sound levels are reduced. Which makes for a far less frightening first-time-at-the-movies for skittish youngsters.

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"We're also going to be celebrating the El Capitan's 90th anniversary sometime later this year. We've already got some fun special things in the works for that. But since we're still in the process of finalizing our plans for that right now ... Well, I don't want to say too much just yet," James smiled.

So if you were impressed by the 88th Academy Awards tonight, then -- the next time you're in Southern California -- why not visit the Hollywood movie palace that actually predates the Oscar ceremony by two years? Which -- thanks to the El Cap's lovingly restored interior & exterior as well as its Dolby Laser Vision projection system & Dolby Atmos sound system -- mixes the very best of Tinseltown's past, present and future.

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Kerry Washington Showed Up To The Oscars So 'We Never Have A Year Like This Again'


Kerry Washington attended the Oscars on Sunday night with a message in mind. As other prominent people of color in the film industry like Jada Pinkett Smith and Spike Lee chose to boycott the award show, the "Scandal" star explained, only as Kerry can, the reason why she showed up to the ceremony. 


"A lot of people have asked me why I'm here tonight, and the thing I'm thinking about is, if you look at the history of movements, the history of change, a lot of the voices are needed at the table," Washington told Robin Roberts on the red carpet. "I really respect and actually admire some of the people who are not here tonight, I really get it, but for me, I felt like my voice -- in my heart -- my voice is best used at the table."


"As a new member of the Academy -- I joined the Academy about three years ago -- I really want to be part of the conversation to make sure there's institutional change," she continued, "so that we never have a year like this again, so that we can be as inclusive as possible."


Only she could turn a routine red carpet interview into an eloquent point on the state of the film industry today. Making the personal political, Washington-style.


Consider it #handled. 







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The Funny Fascist and "The Party of Hell No!"

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LISTEN HERE:



By Mark Green

Corn and Cooke agree that Trump would get slaughtered by HRC and could split the GOP. Then: Who wins the battle to replace Scalia -- McConnell's Refusniks or a POTUS telling the Senate "#DoYourJob"?


The Attack on Trump. His five million twitter followers and skilled performance art at large rallies have combined to swamp other Republicans playing by old rules. Now Rubio and Cruz are using Donald's own tactics of nasty ridicule to trip up the frontrunner. Too late?

Charles Cooke of The National Review thinks that Rubio' barbs at the last debate "were a perfect start, but now we need a Manhattan Project to follow up." Adds David Corn of Mother Jones, "The problem is not so much Trump but all the crap that the GOP has been saying - from death panels to birtherism -- so that now the base wants candidates who will DO something about all that."

Charles thinks that Rubio calling Trump a "con artist" is perfect because "you have to show that he's not some alpha male but is lying to you about being on the side of the little guy." Host: i.e., the issue is not policy but sincerity.

Madame Hillary Climbs Her Everest. Should critics probably stop arguing that "she's just a lousy candidate" now that HRC tied the most talented candidate in the modern era in the popular vote in 2008 and rebounded from a bad two months to win South Carolina by nearly 50 points? Charles is impressed by Sanders constancy and authenticity, as are many Democratic voters. But in a profession where majority wins, he understands that Clinton in now prevailing and will be hard to stop.

We agree that it's very smart for her to go all out to impress the half of SC Democrats who are black that she's on their side by campaigning with the mothers of children killed by police violence. But does it risk driving the white male vote down to 30 percent in November? With her position on guns, perhaps, "but it's a balancing act, as it is for the Republicans" concludes Charles.

Can Trump beat her? Cooke: "Small to non-existent chance." Risk of splitting up the GOP? "The party is staring the abyss in the face with a nominee who has a 70 percent unfavorable rating this Fall." (Already, Republican policy leaders like Lowry, Kristol, Frum, Erickson, Gerson, Wehner have said they couldn't support him. On deadline, Republican electeds appear about to say so.)

McConnell's Court? Strict constructionists claim that somewhere in invisible ink Article 2 of the Constitution it says in that a black president should not nominate a Justice in the last year of his second term and that the next election -- not the two he won -- should govern. (Should a senator in the last year of his/her six-year term not vote but rather defer to whoever wins the seat in the following election?)

Asked who has the better argument, Cooke says neither since obviously a President "shall" nominate but the Senate has a parallel right to advise, consent, or do nothing -- and that, like the fight over the fiscal cliff, this will eventually get sorted out in the public arena.

Corn agrees constitutionally..."but then the Senate doesn't have to pass a budget or hold hearings or do anything at all," though has a political and moral obligation to do so. There's uncertainty about who blinks. Presumably Obama will nominate someone qualified and put Republicans in the awkward position, again, of being "The Party of Hell No!" (Named after ex-Speaker Boehner's repeated declarations of "Hell No" and McConnell's claim this week that 44's choice "has a snowball's chance in hell" of being confirmed much less considered.)

The Host opines that it's at least even money that Majority Leader McConnell backs down when public opinion, now split, moves in Obama's direction after it's explained that refusal to consider a nominee in the last year of a term hasn't happened in over a hundred years - witness a Democratic Senate confirming Anthony Kennedy in Reagan's final year. Also, the slogan "GOP: Do Your Job" can both jeopardize marginal Republican incumbents in purple states while also making it harder for the party of win the presidency. If Trump's the nominee, why allow Clinton the pick when there are likely more Democratic Senators, perhaps even a majority?

Cooke says McConnell can't give in "without breaking his party apart."

If McConnell holds out and maintains his majority, does he have the nerve and power to refuse to consider any Supreme Court appointments over the next four or eight years or is that a level of obstruction too far even for a Heads-I-Win, Tails-You-Lose GOP (see filibusters, gerrymandering, money, SupCourt)? Charles thinks that's so out-there as to be nearly inconceivable. David doesn't put it past the Grand Old Party to at least try....that is, if the party's still around after Trump makes Goldwater look like a winner.

Guantanamo. Charles thinks that an executive order shutting it down and transferring the remaining 90-odd inmates to maximum security prisons is so unpopular with Senators from those states that it won't happen...nor can Obama do it by executive order since legislation is needed to spend money to accomplish the transfers. The panel seems to agree that it would be an acceptable policy result given how the status quo further inflames tensions in the Arab world. But it's unlikely to go anywhere...other than enabling Obama to get through his "bucket" list. Or what he said at the White House Correspondent's Dinner rhymes with "bucket" list.

But as Obama more seriously noted last year, "a lot of interesting things happen in the fourth quarter." This cocky, jocky president seems intent on running up the score as his poll numbers rise and those of the opposition fall.

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Sam Smith Sang A Song At The Oscars And That's All We Have To Say About That




Sam Smith performed a rendition of "Writing's On the Wall" at the 88th Academy Awards on Sunday. It was fine.


Some people complained that Smith was a little pitchy, but like, whatever. It was not great, but it wasn't horrible, either. To be honest, it really wasn't much of anything at all. Suffice it to say we will not be talking about Sam Smith's 2016 Oscars performance 10 years from now. He did look good though. 



If I could do the "Eternal Sunshine of the Spotless Mind" bit, I would erase that Sam Smith song.

— Chris Cillizza (@TheFix) February 29, 2016




It was starting to feel weird that the #Oscar show was kind of interesting. Thanks to Sam Smith for making it feel normally awful again.

— a. o. scott (@aoscott) February 29, 2016



The 23-year-old and record producer Jimmy Napes received a Best Original Song nomination for the song, which was the official theme of "Spectre." It was the first Academy Award nomination for both Smith and Napes. 

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